Summertime 76/77

Some weeks ago, some of us talked about our favourite Marion Brown albums. Underrated in every way is Brown‘s last album for Impulse, named „Vista“, produced by Ed Michael in New York, Besides the appearance of jazz maestros like Reggie Workman or Stanley Cowell (whose „Illusion Suite“ will soon be released on ECM’s „Luminessence vinyl series), the album is notable, too, for the appearance of ambient pioneer Harold Budd on celesta and gong on his own composition “Bismillahi ‘Rahmani ‘Rrahim” that would appear in longer form on Brian Eno-produced album “The Pavilion of Dreams” in 1978.

(Myself in Gerbrunn, Würzburg, summer 1977. i was 22 years young. Fact is there are not more than five photos from my life or me between 1970 and 1990. Sometimes i return to them because they are a gate for memories. Very close to my reading place here there were about 100 albums, with Brian Eno, Marion Brown and a lot of ECMs. And if you enlarge the photo you will see a ring. I have never been a guy who liked wearing rings. This was the only exception ever. Mein Verlobungsring.)

„Vista“ as a whole is a never-ending summer love affair, the deepest kind of „easy listening“, in the same way, you could call Eno‘s „Music for Films“ modern mood music. Few albums in my life are more connected to that perfect summer vibe and breeze in the mid-1970‘s, all gates open, all fields green. How I long to feel that summer in my heart, but, why longing, HERE it is! In other words, „Vista“ is a labour of love. Thinking of summer vibes, maritime moods, floating spheres, there will be one album that may match and mirror moods of „Vista“ this year, Enzo Favata‘s „Ritornare

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