… sequencing a late september radio hour… (third update)

„the beginning“ (or Foreverandevernomore)

Michael speaking (1)
Meredith Monk: Cellular Songs
Ludwig Berger talking
Ludwig Berger & Vadret Da Morteratsch: Crying Glacier
Michael speaking (2)
Jan Bang & Arve Henriksen: After The Wildfire
Lucrecia Dalt: A Danger To Ourselves

„After the wildfire came to me during the composing process. Needless to say, the wildfires across Europe and in the US were in my mind, but also the fire within the people of Northern Macedonia and the challenging  political chaos they are navigating in. The album consists of half live based recordings and the other half new work created in the studio. The live recordings are modified, edited and shaped in post production.“ (Jan Bang)

“the center“ (or: Like a tracklist from Samuel Beckett)

Michael speaking (3)
Steve Tibbetts: a track from „Close“
Steve Tibbetts talking (1)
David Darling: Cello (1992)
One of the three Necks speaking (1)

Another one the three Necks speaking (2)
Brian Eno: Another Green World (50th anniversary)
Steve Tibbetts talking (2)
Steve Tibbetts: another track from „Close“
Michael speaking (4)

„the ending“ (or: Nothing Ever Was, Anyway)

Félicia Atkinson
Beatie Wolfe talking
Brian Eno & Beatie Wolfe
Chris Watson
(Michael talking 5 – while Mr. Watson‘s piece is being played)
Possibly Paul Bley

“Liminal stands at the point of convergence between Lateral and Luminal. If Lateral is a kind of landscape painting, a sonic place, Luminal is a dream-like awakening, a feeling space. Liminal, the newest addition, is a hybrid of the two: a strange new land with a human living and feeling its way through its mysterious spaces. Liminal is set in the borderlands between song and non-song (or “nong” as we call it), where the listener is exploring an intimate and unfamiliar new sonic world, as yet unclaimed, and still ambiguous.” (Brian Eno & Beatie Wolfe)

(Jetzt, wie man sieht, wird diese Stunde eine Mischung aus neuen Alben, die zum guten Teil erst im Oktober erscheinen, und einigen „classics“. Ich bastle im Grunde nur noch am „ending“, und mein Beitrag zum „thrill of it all“ ist, dass die vier letzten Stücke des Abends ungenannt bleiben (und sich sowieso noch ändern können. Der letzte Track stammt vielleicht aus Open, to love oder You Want It Darker oder Another Day In Earth oder Comes A Time oder An Acrobat‘s Heart oder Climate Of Hunter.)